Ocelotonatiuh - The Jaguar Sun (1:00 o'clock)Was the first and most remote of the four cosmologic epochs in which lived the giants created by the gods. They did not till the soil, lived in caves, ate wild fruits and roots, and were in the end attacked and devoured by the jaguars. This basic epoch of the Aztecs is related to the geological quaternary period. As indicated by the discovery of bones of pre-diluvium animals found in deep ravines under dense Lithospheric layers. The jaguar is adorned with a "smoking mirror", symbol of the god Tezcatlipoca. Ehecatonatiuh - The Winds Sun (11:00 o'clock)Was the second mythological epoch. The human race was in danger of being destroyed by tremendous hurricanes, but the gods transformed men into apes so they could hold on better with four hands and not be carried away by hurricanes. This is the reason for the resemblance between men and simians. The epoch received its name because they found huge forests flattened by cyclones. The god of this era is Quetzalcoatl. Quiauhtonatiuh - Rain of Fire Sun (7:00 o'clock)Third cosmologic epoch, in which everything is extinguished by rain of lava and fire. Men were transformed at this time into birds, thus being saved from cataclysm. They justified this belief with the traces of volcanic activity and with the discovery of numerous huts and skeletons buried under layers of lava and ashes. The god that reigned over this period was Tlaloc. Antonatiuh - Water Sun (5:00 o'clock)Means the fourth epoch, at the end of which everything perished because of terrific storms and torrential rains that covered the whole earth, reaching the peaks of the highest mountains. The gods changed men into fishes to save them from the universal deluge. The discovery of different fossilized species of marine fauna on the tops of mountains created the basis for this belief. This epoch is represented by a vessel of water, and the goddess Chalchiuhtlicue.
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| AZTEC DAY | MAYAN DAY | |||||||
| E-1. Cipactli (crocodile/ earth creature) |
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(dragon) | ![]() |
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| N-2. Ehecatl (wind) |
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(wind) | ![]() |
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| W-3. Calli (house/underworld) |
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(night) | ![]() |
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| S-4. Cuetzpallin (lizard/ripeness) |
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(seed) | ![]() |
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| E-5. Coatl (snake/serpent) |
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(serpent) | ![]() |
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| N-6. Miquiztli (death/skull) |
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(death) | ![]() |
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| W-7. Mazatl (deer) |
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(hand) | ![]() |
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| S-8. Tochtli (rabbit) |
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(star) | ![]() |
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| E-9. Atl (water) |
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(moon) | ![]() |
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| N-10. Itzcuintli ([hairless] dog) |
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(dog) | ![]() |
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| W-11. Ozomatli (monkey) |
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(monkey) | ![]() |
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| S-12. Malinalli (grass/dry herb) |
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(human) | ![]() |
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| E-13. Acatl (reed/cane) |
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(vessel) | ![]() |
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| N-14. Ocelotl (jaguar/ocelot) |
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(wizard) | ![]() |
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| W-15. Cuauhti (eagle) |
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(eagle) | ![]() |
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| S-16. Cozcacuahtli (vulture/king buzzard) |
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(vulture) | ![]() |
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| E-17. Ollin (movement/ earthquake) |
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(earth) | ![]() |
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| N-18. Tecpatl (flint stone/ obsidian knife) |
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(mirror) | ![]() |
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| W-19. Quiahuitl ([fire] rain) |
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(storm) | ![]() |
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| S-20. Xochital (flower/lord) |
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(solar lord) | ![]() |
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According, the following table marks the names of the years, of one 52 year cycle,
determined by the last day of each year. Our years 1948 and 2000 are supposed to be 1-flint,
i. e. the first (1480) in a new 13 year cycle relative to carving of the sun stone in the
year 13-reed (1479).
| YEAR | 0 | 13 | 26 | 39 |
| 1 | flint | house | rabbit | reed |
| 2 | house | rabbit | reed | flint |
| 3 | rabbit | reed | flint | house |
| 4 | reed | flint | house | rabbit |
| 5 | flint | house | rabbit | reed |
| 6 | house | rabbit | reed | flint |
| 7 | rabbit | reed | flint | house |
| 8 | reed | flint | house | rabbit |
| 9 | flint | house | rabbit | reed |
| 10 | house | rabbit | reed | flint |
| 11 | rabbit | reed | flint | house |
| 12 | reed | flint | house | rabbit |
| 13 | flint | house | rabbit | reed |
The offical 52 year cycle began with 1-rabbit i. e. +/- 26 years (1454/1974).
The binding of the years Xiuhmolpilli concerning the 12/13 arrear days was for
reasons known only to the Aztecs held at the end of the officially second year, 2-reed
(1455/1975). Most likely the reason had to do with a tribal myth, that after a
great flood had destroyed the earth, it took the first year to raise the heavens again,
and that in the second year a feast was prepared for the gods and fire was acquired
for the first time [Krickeberg, W. 1980. "Mitos y leyendas de los Aztecas, Incas,
Mayas y Muiscas" (P. 24), Mexico: Fondo de Cultura Economica]. The rekindling of
all the fires in the empire is known to have been a fundamental part of the ceremony.
It's timing was dictated by the passage of the Pleiades through the zenith, an event
that occurred annually at around midnight near the end of October or the beginning of
November. To conclude, February 12 and October 30 seem the key dates in their time
count, where latter as the last day of the sacred almanac and namegiver of the year. The
first same day of the religious count thus necessarily fell 260 days earlier. That date
in the present Gregorian calendar coincides with February 2 in the Julian count, which
implies that the Spanish cleric Sahagun, the earliest of the European chroniclers,
was correct in his determination of the start of the Aztec year. They had likewise
exchanged the zenithal passage of the Pleiades for the zenithal passage of the sun.
It is perhaps in this latter regard that we see the role of geographical location most
strongly manifested in the Toltec and Aztec calendar, because no other people in
Mesoamerica lived so directly beneath the path of the Pleiades. Translated into our
todays calendar the crucial date is October 30, 1975 which marks the year and day
2-reed. So the next Xiuhmolpilli would take place in October 2027. Another interesting
fact is found 28 miles Northeast of Mexico city, in the great Pyramid of the Sun. It was
built by Aztecs and its west face is oriented to the rising (or setting) of the Pleiades.
The date of their midnight culmination was observed with solemn ceremony in countries
as widely separated in the world as Pre-Columbian Mexico and Ancient Persia. The actual
midnight culmination of the Pleiades now occurs on November 21st.
The precious ornaments are made of jade plates having five perforations and were attached by means of reds leather thongs, and feather tips ending in a pearl. This is the most magnificent ornament and it means light, strength and beauty (squarish shape with 3 arches at the top).
Symbols of splashed blood nourishing the flames at the back of the Xiuhcoatls (little 'v' shapes near the Chalchihuites ornament).
The huge 'V' shapes are the signs of solar light beams (12:00, 9:00, 6:00, 3:00 o'clock).
The Exterior Circle is formed by the numeral 13-Acatl on the top and 2 Xiuhcoatls
(fire serpents) that are placed face to face on the bottom. From the bottom up we see:

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Heads of the Xiuhcoatl with eye, eyebrow, teeth and fangs, like fantastic dragons
with open gullets. In the mouth of the monsters one can see two "gods"
showing obsidian tongues, perhaps representing an everlasting battle between two
elemental dualistic forces. The left one Quetzalcoatl-Tonatiuh (light/sun), the right
one Tezcatlipoca-Xiuhtecutli (darkness/night). On each new day the sun appears as an
eagle, after having vanquished the moon and the stars. So sometimes the left one is
identified with Xiuhtecutli and the right one with Tonatiuh, which seems evident comparing
with the center Tonatiuh face. The more komplex approach is, that Tonatiuh in fact
represents both forces in the same time, like the two monster mouths seem to merge in
one.
The profile of Tonatiuh, with the same ornaments appearing in the center
of the calendar, emitting smoke as a sign of anger because of its daily fight with the
God of Night. Both gods are dressed with Xiuhcoatls, mythic and celestial serpents whereby
they acquire greater strength and authority. Within those Xiuhcoatls are all the chronological
signs, thus indicating that everything occurs in the universe during day and night time.
In
Nahuatl, the Duality was called Omeyotl - ome meaning "two". In most accounts,
the Aztecs' supreme divinity is the god Ometecuhtli and the goddess Omecihuatl, who together
pair as the Ometeotl, or Divine Pair.
The Xiuhcoatl, is a cosmic being in the sense that
it symbolizes so many aspects of the heavens. The fire on its back represents the new fires
burning from the heat of the older flames, now dying to give way to the new fire. The small
dots lined around its belly are the stars of the Milky Way. Tezcatlipoca often assumed the
form of one of these creatures.
Upturned nose over the Xiuhcoatl's head is lined with seven half-shut eyes. The condition of the eyes suggests motion, as if they were blinking. The seven blinking eyes were understood as the Pleiades, the Seven Sisters near the Taurus constellation. That stellar group followed a path which passed over the zenith above an extinct volcano every 52 years; the Aztecs used this as the marker for the Xiuhmolpilli, when they anticipated the destruction of the sun and the earth.
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| These seven are called
by name Alcyone, Merope, Electra, Celaeno, Taygete, Sterope and queenly Maia.
Small and dim are they all alike -- Aratus, Phaenomena |
The front claw of the Xiuhcoatls, with eye and eyebrow (at 5:00, 7:00 o'clock) below flame.
Tlachinolli (Flaming Sign) appears in each of the segments, with flames of intense fire at the backs of the Xiuhcoatls.
Four bound strips of Amatl (natural paper) made of agave plant (at 11:00, 1:00 o'clock).
The tail of Xiuhcoatls (at 11:30, 12:30), flat shape coming out of laying down 'V' shape and pouring into the third ring.
A bundle of herbs with flower buds (at 11:30, 12:30) attached to square dedication of this stone with the date in the middle.
Plate of the consecration and dedication of this stone with the date 13-Acatl (13-reed) equivalent to the beginning of the fifth, the Earthquakes Sun (at 12:00 o'clock) as well as the year 1479 when the stone was carved.
All around the border of the sun stone (strip of filigree not shown in the front) are the signs of Ilhuicatl (the heavens), stars over the night sky (dots in filigree), obsidian knives as solar beams over the day time sky (pointy objects in filigree) and the sign of the planet Venus over the day time sky (curlicue object in filigree).
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